![]() Better think about what mood a font creates and for what sort of text it fits best.įind your own language, and take the attributes I connect with these categories with a grain of salt. Things are not linear and a rigid categorization will not work (if it ever has). In today’s digital world, type designers mix and blend influences from all over the place. ![]() Sans-serif fonts (left) appear simple and have a monoline structure, serif fonts (center) have decorative tails or taper (aka serifs) and contrasting strokes, slab serif fonts (right) have thick, striking serifs.ĭon’t waste time overthinking if a font belongs to this or that category. While the first three (sans-serif, serif, and slab serif) are pretty straight forward, easier to distinguish, and might be suitable for all kinds of text, the latter three (script, handwritten, and display fonts) get fuzzy and should only be applied for display text. This categorization is an orientation point. With some adoptions MyFonts, Adobe Fonts, or Google Fonts divide their fonts in the following categories (click on them, to jump to the section directly): To make this as related to practice as possible, I oriented on a very rough classification that popular font catalogs use as well. Knowing what broad categories of typefaces exist and what feelings they evoke, can be a handy tool to dig through the tons of available fonts out there. Eventually you have to find your own typographic vocabulary. Script, handwritten and display fonts mostly work for short and large applications, and are more striking and thematic. Sans is perceived more modern, serif more traditional, slab serif can be both. Sans-serif, serif and slab serif typeface can work for all sorts of text. La Fabrique Identitaire can not be held responsible for damages direct, indirect or incidental, including the loss of profits, business interruption, and loss of business documents, from the use or the impossibility to use a font La Fabrique Identitaire.TL DR: Categorizing type is hard and only helpful to a certain degree. La fabrique Identitaire makes no guarantees as to the merchantability, equation for a particular purpose or otherwise. Any violation of condition will cause the end of the license.7. The user La Fabrique Identitaire's font agree to respect the terms of this license. Any shema, EPS files, illustrations or elements derived from font La Fabrique Identitaire must be used under the terms of the original license.6. Fonts defective will be replaced by the same font but functional, if accompanied by proof of purchase and La Fabrique Identitaire be notified whithin one week of purchase.5. The fonts can not be returned or exchanged except in case of defective file. Fonts La fabrique Identitaire can not be rented, sub-licensed, or lent to another person or entity whithout explicit permission granted by La Fabrique Identitaire or one of his representative.4. Fonts La Fabrique Identitaire may not be copied in any form whatever except for backup purposes. Namely 25% of the total price of each version by the output device of any kind whatever and 50% of the total price of each version by computr or other device whatever.3. An upgrade license must be purchased for use in higher numbers given by paragraph 1. Each font La Fabrique Identitaire is licensed for 2 printers and/or output peripherals in conjunction with a maximum of 7 computers2. ![]() You are responsible for securing this product as well as unauthorized copies.If you do not agree the terms of this license, delete the files from your computer and notify via La Fabrique Identitaire. If your configuration exceeds this format, you must contact La Fabrique Identitaire at to extend your license. La Fabrique IdentitaireStandard license agreementBy setting the fonts La Fabrique Identitaire, accept the terms and conditions of this license.Fonts La Fabrique Identitaire and/or illustrations have the possibility to use two output devices, as well as seven computers connected to the same network.
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